Kodacolor-X 616 film

Last week I found these two rolls of film at a garage sale for 50 cents.  I had never seen actual 616 film before. I don't remember the format although it was still for sale when I was first into photography. 616 film was introduced by Kodak in 1932.  It is the same size as 116 film, however the spool is smaller.  The idea was that the smaller spool would let cameras be smaller also. As it was most commonly used 616 film made 8 images that were 2 1/2 inches by 4 1/4 inches. Prints from 616 film were usually made by the contact method.  That is why it is fairly common to see prints of that dimension from the 1930's and 40's. By the 1950's 616 film was in decline although Kodak continued to make it until 1984.

The rolls that I bought both expired in 1972.  By that time Kodak only offered 616 film in Kodacolor-X. Kodacolor-X was introduced in 1963 and discontinued in 1974.  I believe it was the last of the Kodak films to use the C-22 method of processing. If this film could still yield some images it still would be a challenge to get it processed.  There are still a couple of places that say they can do color processing on this film if the dyes have stayed intact.  If not B&W images are still possible.  Also if you are a DIYer then I have heard of people being able to get B&W images from Kodacolor-X. 

I do have a Kodak Senior 616 camera that uses this film, however I don't think that the results I would get would be worth the trouble.  So probably I will put this out on Ebay. 

KODAK BROWNIE JUNIOR SIX-16

I saw this group of cameras in an antique shop last week.  They are the 1930's equivalent of the more recent point and shoot cameras that are a staple of many garage sales.  I believe the guy was asking $25 for the SIX-16 cameras and $15 for the plain boxes.  Considering their very rough shape I imagine they will sit there for a very long time. 

The KODAK BROWNIE JUNIOR SIX-16 was made from 1934 to 1942.  It is a typical box camera of the time with one set shutter speed and an option for a timed exposure. The ones that I have seen more often have an Art Deco metal plate on the front.  I am not sure why the ones here differ.  The KODAK BROWNIE JUNIOR SIX-16 made six 2 1/2 x 4 1/4 images using 616 film. Kodak introduced 616 film in 1932. 616 is the same as the older 116 film, however it comes on a slimmer spool.  By making the spool slimmer Kodak hoped to be able to make smaller cameras. 

The large negative produced by cameras like the KODAK BROWNIE JUNIOR SIX-16 was popular up until the 1950's because it seems that it was more economical to make contact prints than enlargements. At one time there were some amazingly large versions of roll-film out there.  For example I was surprised to find that the original 110 film, discontinued in 1929, was 5" x 4", and the original 126 film, discontinued in 1949, was 4 1/4" x 6 1/2".  Unfortunately today 120 is the largest roll-film format you can get.

616 film was discontinued in 1985. It takes some doing, however you can use 120 film with a camera like the BROWNIE JUNIOR SIX-16.  I did it a while back with the Kodak Senior Six-16. My guess is that it wouldn't be worth the trouble with a camera like the BROWNIE JUNIOR SIX-16.  Especially since there are a lot of cameras of the same vintage that use 120 film and likely would produce similar results.

The best I can tell the GE console radio above was first made in 1933.  So maybe a BROWNIE JUNIOR SIX-16 once sat upon it. More than likely it played some of the second season of the Jack Benny show. Jack Benny had one of the most popular radio shows starting in 1932 up until TV become dominate in the 1950's.  The peak of popularity for radio shows like Benny's parallels the popularity of film formats like 616 or 620.  Although that parallel seems to be a coincidence more than the result of any relationship between radio and film formats that I can figure out. In today's antique shop the radio and the cameras are in the same booth. Unlike the cameras the radio seems in good shape and it is claimed that it works.  Also unlike with the cameras it is never a good idea to try to see if an old radio works by plugging it in. I suppose the big difference is that no old camera that I know of needs to be plugged into electricity, and therefore it isn't like to be damaged, catch on fire, or shock you.

More on a vintage theme than a photography one are these Christmas lights which I think are from the late 1930's.  Who knows, they could have been on a Christmas tree in the 1930's in the same room with the GE radio and a BROWNIE JUNIOR SIX-16 camera.  I got the lights for a couple dollars at a garage sale last weekend.  Ignoring the caution that I usually have with old electrical things I plugged these in and they did light.  And from the heat they generated I would guess that given time they might have set this box on fire.  I imagine that you would be asking for trouble if you put these lights on a less than fresh Christmas tree.  I suppose the lack of fire threat may be one advantage of collecting vintage cameras.